Mitch Effendi (ميتش أفندي)

I like coffee, Philly, Pittsburgh, Arabic language, anything on two wheels, music, linux, theology, cats, computers, pacifism, art, unity, equity, etymology, the power of words, and getting high off airplane glue. Will use Adobe Illustrator for food.

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Joined 18 days ago
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Cake day: July 30th, 2025

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  • My unpopular opinion is that Flash was perhaps one of the greatest media standards of all time. Think about it — in 2002, people were packaging entire 15 minute animations with full audio and imagery, all encapsulated in a single file that could play in any browser, for under 10mb each. Not to mention, it was one of the earliest formats to support streaming. It used vectors for art, which meant that a SWF file would look just as good today on a 4k screen as it did in 2002.

    It only became awful once we started forcing it to be stuff it didn’t need to be, like a Web design platform, or a common platform for applets. This introduced more and more advanced versions of scripting that continually introduced new vulnerabilities.

    It was a beautiful way to spread culture back when the fastest Internet anyone could get was 1 MB/sec.





  • i just wanted to drop my personal favorite self-hosted git alternative, Gogs (gogs.io). i have very modest git needs (i just need a place to host code and interact with the git client), and i think it fits the bill well.

    i am not associated with it at all, i just want folks to know that self-hosting your own git service has really never been easier or better; there are so many good options, like a similar project, gitea.

    if you are uncomfortable with exposing your home network to the internet, you can use tools like tailscale funnel or a reverse proxy server like caddy and a $5 VPS from any cloud host of your choosing to obscure your home IP, while still keeping the storage and the brains somewhere closeby.

    imo, the only way forward for all of us to stay safe is to keep repeating a simple mantra: “let’s go back to making websites.”



  • Your last point is a fair one, but it’s also still important to mention because that specific strain of “it’s all political, who cares” is what creates tolerance for a lack of transparency and public accountability.

    If anyone wants to take this problem seriously, it is also important to understand that even if what is released as an executive summary is deeply flawed, there are real civil servants there still trying to do the best they can with as little as possible. The data is all still published. We, as consumers of journalism, really should be pressuring editors to actually fix the way they uncritically gobble up and report anything that the DoL puts out.

    Or, really, reporting on it ourselves and trying to learn and maintain a common set of journalistic ethics.


  • To be honest, this is just kind of how jobs reports have tended to work since Bush. It is kind of a consequence of both how reporting has failed to really contextualize how jobs reports tend to release in the US, as well as some (arguable) juking of the stats that make it easier to show positive growth in one area and then use the correctance to show the worse numbers.

    Basically the Bureau of Labor and Statistics releases a monthly report, and at the beginning of the year it is based more on statistical modeling (“hockey stick growth! I got $5 today to mow the lawn, and $10 the next day to do it. If this rate keeps up, by next year I’ll be pulling in a couple billion.”), then they issue corrections as the actual data rolls in and either confirms or denies their modeling.

    24 hour news (cable and online) got into the habit of basically reporting on the monthly reports like they are gospel, when realistically they are only reliable around November or December. I think the Fed encourages it too because it’s quietly one of the levers they can use to inspire foreign investment.

    But, it is difficult to adequately describe how seriously the nerds at the BLS take their jobs. They gather and report real-ass data that you can go look at pretty much back to the 60s. This rhythm must be their compromise with the partisan pressures of the executive.